COLORES BOTÁNICOS
DE MÉXICO
The textile industry ranks as the second most polluting globally, largely due to the extensive use of chemicals in the dyeing process. A pivotal moment for me occurred when I first entered the University dyeing laboratory and encountered the "Danger sign." This stark reminder of the highly carcinogenic solvents used in the process resonated deeply, as the resulting waste invariably finds its way into rivers and oceans. Initially drawn towards technological textiles, my perspective shifted during a Sustainable Business class, redirecting my focus towards environmental concerns and the stewardship of our Pachamama.
This shift aligns seamlessly with my social project centered on ecological and slow fashion. In response to the environmental impact of the fashion industry, I have embarked on a mission to document an extensive array of natural pigments derived from plants and minerals found in Mexico, my home country. Establishing an archive of these colors serves not only to showcase consumption alternatives but also underscores the future of fashion rooted in conscientious production methods.
“The textile industry ranks as the second most polluting globally, largely due to the extensive use of chemicals in the dyeing process.”
Mapping the Mexican land to identify over fifteen plants historically utilized by pre-Hispanic cultures revealed a reservoir of ancient knowledge. This historical juncture demands a concerted effort to address the global environmental crisis, recognizing that the very practices implemented by ancient societies worldwide are starkly contrasted by the consequences of industrialization and over-exploitation.
The extraction methods employed must now prioritize the restoration of our rivers, oceans, and land quality, fostering bonds of respect and love with our natural world and water. As part of my research, I aim to document various plants and their processes, creating seven contemporary art pieces that embody the essence of the organic world in aesthetics through techniques such as laser cutting, embroidery, printmaking, weaving, and patchwork.
Promoting an alternative approach to textile production is a primary goal – an approach that embraces a connection with the natural world and raises awareness about our consumption patterns. My learning journey involves letting the process unfold organically, moving away from rigid expectations and embracing the fluidity of documenting information and creating designs throughout this research.
In essence, this work serves as a manifesto…,
…a declaration of my connection to the earth through textile practice. It champions sustainable production methods and documents an ancestral technology of the world's original peoples. Through it, I express my identity and acknowledge my ancestors in the vibrant colors of Mexico.
